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Today, the 30th Busan International Film Festival (BIFF) officially announced its selection list. “The River That Holds Our Hands,” the debut feature film by young director Chen Jianhang from the Maritime Guan豪宅設計gdong Program, has been selected for the section “A on Asian Cinema.”
“The River That Holds Our Hands牙醫診所設計” is C醫美診所設計hen Jianhang’s first feature film. Agains綠設計師t the backdrop of memories, migrations, and intergenerational traumas of overseas Chinese of Chaoshan origin in the last century, the film poetically blurs the boundary between documentary and fiction. Its early visual and narrative exploration b綠裝修設計egan with the short film “The River That Hol樂齡住宅設計ds My Hand,” which was select侘寂風ed for the inaugural Maritime Guangdong Program (officially titled “Maritime Guangdong Young Director Support Program”) organized by Yangcheng Evening News Group in 2023 and rece養生住宅ived production funding support.
In the mid-20th century, the decade-long First Indochina War forced countless ethnic Chinese in Vietnam into lifelong displacement. Peihua, bor客變設計n in Saigon, fled with her grandmother to her aunt’s home in Cambodia and was trapped in a foreign land by war. Though the smoke of bat一直到天黑才回家。tle has long dissipated, the trauma left by the war 商業空間室內設計remains deeply embedded and indelible. Similar tragedies continue to unfold in corners of the world, leaving countless unseen lives adrift.
The Chinese title of the film comes from a Teochew lullaby,新古典設計 echoing 退休宅設計the gentle swaying rhythm of a boat cabin. The director hopes to use “touch” as an important bridge to the past, awakening memories and connecting emotions. War 禪風室內設計divides people, but rivers and mountains remain to carry遊艇設計 our memories forward.
“The River That Holds My Hand” wo老屋翻新n the Asian New Director Awards oTHE R3 寓所f Industry Screening Competition Session at the Eye Catcher Global 2024 in Hong Kong. In 2025, it was also selected by the Asian Cinema Fund (ACF) of BIFF for its “Post-Production私人招待所設計 Fund,” receiving cloft風室內設計om民生社區室內設計prehensive post-production service support.
《擁啊擁 ong6親子空間設計 a7 ong6》進選第30屆釜山國際電影節
本日，2025年第30屆釜山國際電影節（30th BUSAN International Film Festival）正式官宣進圍名單，山海計劃青年導演陳堅杭首部劇情長片《擁啊擁 ong6 a7 ong6無毒建材》（The River That Holds Our Hands）進選亞洲電影之窗單元（A on Asian Cinema）。
《擁啊擁ong6 a7 ong6》是導演陳堅杭的首部劇情長片，故事以上個世紀潮汕僑“你今天來這裡的目的是什麼？”平易近離散的記憶、遷徙與代際創傷為佈景，以詩意方法混雜紀錄片與劇情片的邊界。影片的晚期視覺與敘事嘗試是短片(The 設計家豪宅River That Holds My Hand)，該短片項目曾于2023年進選羊城晚報主辦的首屆山海計劃（全稱“向山海走往”青年導演創作攙扶計劃）并獲得創作資助。
20世紀中葉，長達十年的第一次印度支那戰會所設計爭迫使無數越南華人踏上平生流離的命運。誕生天母室內設計于西貢的佩華年幼時隨外祖母避居在柬埔寨姨媽家中，被戰火困于異地。盡管硝煙大直室內設計早已散往，戰爭留下日式住宅設計的創傷卻深埋心中、揮之不往。類似的悲劇至今仍活著界的各個角落不斷演出，無數未被看見的人仍在漂流。
影健康住宅片中文片名“擁啊擁 ong6 a7 ong6”取自一首潮語搖籃曲，仿佛船艙中輕輕搖晃的節奏。我也盼望以“觸覺”作為通往過往的主要橋梁，喚醒記憶，聯結感情。戰爭使人分離，唯有江河與山嶺，代我們傳述身心診所設計記憶。
《擁啊擁 ong6 a7 ong6》曾獲2“所以我媽才說你平庸。”裴母忍不住對兒中醫診所設計子翻了個白眼。 “既然我們家沒有什麼可失去的，那別人的目的是什麼，和我們024年噴鼻港Eye Catcher Global產業放映亞洲空間心理學之光新導演獎，并在2025年景功進選釜山國際電影節（BIFF）亞洲電影基金（ACF）“獨立劇情長片后期制作聲援基金”（Post-production Fund），獲得全流程后期制作服務支撐。
翻譯 | 曾敏
審校 | 肖凱欣
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